My, Our, Korean’s Traditional Craft

I would like to study the position of stakeholders in traditional crafts and suggest ways to help revitalize traditional crafts by reducing the gap.
The value of crafts, which are well worthy of daily necessities and decorations, is falling day by day.
It is a vicious cycle in which the brand image is lowered and the sales price is lowered and the quality of the product is deteriorated due to the constant promotion of the precedent policy, the narrow domestic market, and the weakening of the creative base.
There have been many efforts to promote traditional crafts through various policies, education, institutions and events. However, there is still stagnation of development due to low awareness.
With so many tangible efforts so far, what is the intangible attempt to perceive?
There are a lot of stakeholders around traditional crafts here. It is a traditional craftsman, consumer, designer. Craftsmen want to produce high-priced military products and want to know their needs. Consumers also want low cost traditional crafts,, and designers need to survive  in the fourth industrial revolution, where adaptation and creativity are required. What do they need in common? It is the recognition of the value of traditional crafts. If they can recognize this, their gaps will likely be reduced. I would like to suggest ways to reduce the gap. The government has provided support for the revitalization of the arts and crafts industry, and publicity and marketing to improve awareness are significantly less than institutional devices. In the future, I will give support for publicity and marketing. In addition, I would like to suggest ways to reduce the gap between various stakeholders.